-
Old Screen Door 4:470:00/4:47
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Pray Real Hard 2:200:00/2:20
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O Love 3:510:00/3:51
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Close 4:360:00/4:36
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Harlan County Boys 4:430:00/4:43
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The Last To Leave 4:190:00/4:19
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Weary Traveler 4:250:00/4:25
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I'll Be Home Soon 4:100:00/4:10
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Storm Comin' 3:320:00/3:32
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Bitter Wind 3:340:00/3:34
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When It's Gone 3:560:00/3:56
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All I Ever Wanted 3:160:00/3:16
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The Last Lullaby 3:320:00/3:32
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Hellbound 2:560:00/2:56
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Dark Days 4:130:00/4:13
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Resurrection Blues 3:190:00/3:19
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Real Music 2:250:00/2:25
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Sad Dog Blues 4:100:00/4:10
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By and By 3:500:00/3:50
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My Baby Loves Me 2:480:00/2:48
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Switchblade Heart 4:470:00/4:47
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Big Time Blues 2:290:00/2:29
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Blackwater River 3:290:00/3:29
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It Don't Hurt 4:080:00/4:08
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Doubtin' Blues 2:170:00/2:17
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0:00/2:42
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Resurrection Blues 4:000:00/4:00
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Travelin' Shoes 4:050:00/4:05
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My Love 4:140:00/4:14
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By and By 4:140:00/4:14
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Switchblade Heart 4:490:00/4:49
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Close 4:380:00/4:38
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Bitter Wind 3:420:00/3:42
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This Field 3:020:00/3:02
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Doubtin' Blues 2:400:00/2:40
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O Love 3:520:00/3:52
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Storm Comin' 4:070:00/4:07
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The Last Lullaby 4:100:00/4:10
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Real Music 2:330:00/2:33
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Disturbin' Blues 4:400:00/4:40
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The Last To Leave 5:160:00/5:16
ALL THE BOATS ARE GONNA RISE
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0:00/3:16
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Hold On 3:500:00/3:50
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Evangeline 4:230:00/4:23
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0:00/3:04
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Disturbin' Blues 3:300:00/3:30
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Second-Hand Smoke 2:330:00/2:33
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Travelin' Shoes 3:420:00/3:42
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Big Momma Rag 2:410:00/2:41
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I'll Be Good to You 2:500:00/2:50
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The Patriot 4:160:00/4:16
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This Field 3:000:00/3:00
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0:00/3:55
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Train to Kokomo 3:590:00/3:59
One Man's Hero
“ ...the struggles and actions of the battle cues are treated in a more sensitive and restrained way than most composers would have chosen, which gives the score a power and majesty that is both moving and highly emotional. This is a score for those that love epic film music and is a fine example of the art of producing music for film, rather than noise for effect. Highly recommended.”
— Andrew Keech, Music for the Movies.com
Beat
“ ...another example of Ernest Troost's perceptive handling of filmic subtexts and his ability to reach beneath the surface of a scene and echo musically the sensibilities that lie dormant beneath the surface.”
— Randall Larson, Soundtrack Magazine