-
Feathers and Bones 3:470:00/3:47
-
I Might Be Wrong 4:050:00/4:05
-
Oh, Lord 3:580:00/3:58
-
This Will Pass Away 3:300:00/3:30
-
Cold Trail 3:270:00/3:27
-
0:00/4:24
-
Simple Song 4:450:00/4:45
-
Saving the Republic 3:120:00/3:12
-
Old Mill Town 4:110:00/4:11
-
0:00/3:23
-
So Much Rain 3:230:00/3:23
-
True Love 4:010:00/4:01
-
0:00/4:18
-
0:00/3:38
-
Hold Me 4:110:00/4:11
-
Old Screen Door 4:470:00/4:47
-
Pray Real Hard 2:200:00/2:20
-
O Love 3:510:00/3:51
-
Close 4:360:00/4:36
-
Harlan County Boys 4:430:00/4:43
-
The Last To Leave 4:190:00/4:19
-
Weary Traveler 4:250:00/4:25
-
I'll Be Home Soon 4:100:00/4:10
-
Storm Comin' 3:320:00/3:32
-
Bitter Wind 3:340:00/3:34
-
When It's Gone 3:560:00/3:56
-
All I Ever Wanted 3:160:00/3:16
-
The Last Lullaby 3:320:00/3:32
-
Hellbound 2:560:00/2:56
-
Dark Days 4:130:00/4:13
-
Resurrection Blues 3:190:00/3:19
-
Real Music 2:250:00/2:25
-
Sad Dog Blues 4:100:00/4:10
-
By and By 3:500:00/3:50
-
My Baby Loves Me 2:480:00/2:48
-
Switchblade Heart 4:470:00/4:47
-
Big Time Blues 2:290:00/2:29
-
Blackwater River 3:290:00/3:29
-
It Don't Hurt 4:080:00/4:08
-
Doubtin' Blues 2:170:00/2:17
-
0:00/2:42
-
Resurrection Blues 4:000:00/4:00
-
Travelin' Shoes 4:050:00/4:05
-
My Love 4:140:00/4:14
-
By and By 4:140:00/4:14
-
Switchblade Heart 4:490:00/4:49
-
Close 4:380:00/4:38
-
Bitter Wind 3:420:00/3:42
-
This Field 3:020:00/3:02
-
Doubtin' Blues 2:400:00/2:40
-
O Love 3:520:00/3:52
-
Storm Comin' 4:070:00/4:07
-
The Last Lullaby 4:100:00/4:10
-
Real Music 2:330:00/2:33
-
Disturbin' Blues 4:400:00/4:40
-
The Last To Leave 5:160:00/5:16
ALL THE BOATS ARE GONNA RISE
-
0:00/3:16
-
Hold On 3:500:00/3:50
-
Evangeline 4:230:00/4:23
-
0:00/3:04
-
Disturbin' Blues 3:300:00/3:30
-
Second-Hand Smoke 2:330:00/2:33
-
Travelin' Shoes 3:420:00/3:42
-
Big Momma Rag 2:410:00/2:41
-
I'll Be Good to You 2:500:00/2:50
-
The Patriot 4:160:00/4:16
-
This Field 3:000:00/3:00
-
0:00/3:55
-
Train to Kokomo 3:590:00/3:59
One Man's Hero
“ ...the struggles and actions of the battle cues are treated in a more sensitive and restrained way than most composers would have chosen, which gives the score a power and majesty that is both moving and highly emotional. This is a score for those that love epic film music and is a fine example of the art of producing music for film, rather than noise for effect. Highly recommended.”
— Andrew Keech, Music for the Movies.com
Beat
“ ...another example of Ernest Troost's perceptive handling of filmic subtexts and his ability to reach beneath the surface of a scene and echo musically the sensibilities that lie dormant beneath the surface.”
— Randall Larson, Soundtrack Magazine